I wrote this up over the last couple of evenings, and just as I went to post it, I saw that Samantha Shannon posted on Twitter that it’s a year to the day since The Bone Season was released. Most fortuitous timing to be nattering about it here then, hm?
The Bone Season hovered on the edge of my reader consciousness for a while before I took the plunge. As I’ve probably mentioned here, the life of a bookseller is a wonderful one in many ways, but difficult in others – particularly when it comes to prioritising books to read. But months of noticing a staff pick card stuck to one of the computers at work (thanks, Ness!) eventually piled up and I decided it was time.
The basic genre concept of The Bone Season combines supernatural fantasy (love – when well executed) with dystopia (double love). I’m sure there are other examples of this combo out there, but I can’t recall having encountered one. Clairvoyance, alternate history, bit steampunky, dystopic future… it’s a helluva combo.
The main character, Paige, is well crafted in a way that many ‘genre’ characters tend not to be. She’s not superwoman, despite having rather unusual abilities – and at the same time, she’s not one to swoon wildly in the presence of preternaturally-beautiful god-like beings. Which is refreshing.
I’m looking at you, paranormal romance.
It’s such a fascinating world that Samantha Shannon has created. Dystopia always seems to exist in the terrifyingly plausible and familiar world, whereas fantasy is, well, fantasy. Combining the two is a satisfyingly eerie combination – some of the standard ‘oh GOD this could HAPPEN’ of dystopia is worn down because of the fantastical elements – but the characters are no less accessible because of it – the amaurotic vs. voyant divide may be an imaginary rift but it echoes many such historical instances of persecution.
It breathes life into a realm of fantasy that dances closely to real life – obviously there are people in the world who do place a lot of faith in psychics and tarot readers. What they would make of Shannon’s world, I don’t know, but it (almost) makes me want to believe.
We have many more to look forward to in this series, with Shannon being signed for three titles from the get go, and recently having this extended to all seven intended instalments.
As a reader? Bloody loved it. Read it swiftly. Finished it and looked up exactly when book two is due out.
As a writer? The usual sense of ‘what am I doing with my life?’ that one feels when encountering authors who get signed while still in undergrad. Admiration and frustration.
As a bookseller? DREAM. It’s adult fiction, but eminently readable but most of the young adult crowd. Written well – in such a way that non-‘genre’ readers might be willing to give it a go, but not so ‘literary’ (ugh, these labels) that those who generally stick with fantasy and/or SF (often high-concept/poor-execution)